Advertising Poster by Mario Bazzi, 1929
An advertising poster created by Italian illustrator and graphic designer Mario Bazzi in 1929. Bazzi was a prominent cartellonist and commercial artist active throughout the interwar period.
Photographer & Researcher
Stefano Vigolo
Stefano Vigolo photographs and documents Italian architecture of the interwar decades — the years known in Italy as the Ventennio — from Rationalism and Art Déco to the buildings that fall between the guidebooks. He is a researcher of the period.
Contributions: 516 articles · 106 heritage places · 7 events · 12 itineraries · 89 photographs
2,828 articles on the Italian archive
Published on beniculturalionline.it, the Italian archive of this publication, online since 1998. They are being brought into Cultural Heritage Online.
- Stazione di servizio A.G.I.P. (u00a0 Azienda Generale Italiana Petroli ) oggi Stazione di servizio Tamoil - Asmara , Eritrea
- La torre e il treno - Giorgio De Chirico - 1934 ( Stefano Vigolo )
- Villino oggi Sede dell' Ambasciata Etiope in Eritrea - Asmara , Eritrea - Arch. Pietro Del Fabro - 1938
- Fontana di Ghezzabanda oggi Fontana Mai Jah Jah - Asmara , Eritrea - Arch. Lorenzo Azzolini - 1939
- Palazzo Manifatturau00a0Tabacchi oggi Palazzo British e American Tobacco Eritrea - Asmara , Eritrea. 1938
- Edificio abitazione , Quartiere Alfa Romeo - Asmara , Eritrea
- Particolare Bar all'interno del Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Fabbrica Alfa Romeo - Asmara , Eritrea - 1937
- Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Edificio abitazione e negozi - Asmara , Eritrea
- Caserma della M.V.S.N ( Milizia Volontaria Sicurezza Nazionale ) oggi Palazzo della Banca d'Eritrea - Asmara , Eritrea
- Cinema Augustus oggi Cinema Capitol - Asmara , Eritrea - Arch. R. Saviele - 1938
Gladiatori by Giorgio de Chirico, 1929
A 1929 painting by Giorgio de Chirico, founder of the Metaphysical art movement. The work exemplifies de Chirico’s characteristic use of classical imagery and disorienting spatial perspective.
Colombi assassinati by Ernesto Treccani, 1941
A painting by Ernesto Treccani created in 1941, during the artist’s early engagement with anti-Fascist avant-garde movements in Milan.
Advertising Poster by Luigi Martinati, 1933
An advertising poster designed by Italian illustrator Luigi Martinati in 1933. Martinati was a prolific commercial artist and poster designer working in Rome during the early twentieth century.
Vaso con fiori by Filippo De Pisis, 1941
A still life painting of flowers in a vase, executed by Italian painter and poet Filippo De Pisis in 1941. The work exemplifies De Pisis’s mastery of the floral still-life genre.
Advertising Poster by Marcello Dudovich, 1928
An advertising poster designed by Marcello Dudovich in 1928. Dudovich was one of the founding figures of Italian poster design in the late nineteenth and early twentieth centuries.
La tempesta by Fausto Pirandello, 1938
La tempesta is a 1938 painting by Fausto Pirandello, an Italian painter of the Scuola romana. The work exemplifies his distinctive approach to realism and psychological intensity.
Chiesa di Santa Maria delle Grazie al Trionfale, Rome
A Catholic church in Rome’s Trionfale quarter, designed by architect Tullio Rossi and engineer Franco Formari and completed in 1941. The building features a Neo-Renaissance facade and houses frescoes and artworks from its predecessor.
Portrait of a Woman by Mario Biazzi, 1934
An oil portrait painted by Italian artist Mario Biazzi in 1934, executed during his maturity as one of Cremona’s leading portrait painters of the interwar period.
Advertising Poster by Giovanni Patrone, 1934
An advertising poster created by Italian painter Giovanni Patrone in 1934. Patrone was a Neapolitan figure painter trained under the nineteenth-century masters Domenico Morelli and Filippo Palizzi.