Guimard Synagogue — Agoudas Hakehilos, rue Pavée

Undulating Art Nouveau stone façade of Hector Guimard's synagogue on rue Pavée, Le Marais, Paris
Agoudas Hakehilos synagogue, 10 rue Pavée, Paris 4th. Photo: Paris-Marais-Synagoge, Wikimedia Commons, CC BY-SA 4.0. © Gerd Eichmann.
Paris, France · 1913–1914 · Art Nouveau

Guimard Synagogue — Agoudas Hakehilos, rue Pavée

Hector Guimard’s only synagogue and one of his last great Art Nouveau works: a tall, narrow façade folded into a Marais street, its stone bending like a curtain pulled taut.

At a glance

At 10 rue Pavée, in the Marais, Guimard built the Agoudas Hakehilos synagogue for an Orthodox congregation, many of its members recent immigrants from Eastern Europe. Completed in 1913–1914, it is his only religious building and one of the last works of his Art Nouveau period. Guimard — married to the Jewish-American artist Adeline Oppenheim — took on a narrow, deep plot and turned the constraint into the design: the stone façade undulates in vertical waves, rising the full height of the building with almost no applied ornament. Inside, galleries on slender iron columns are packed into the slot of the site.

Key facts

  • Completed: 1913–1914
  • Architect: Hector Guimard (1867–1942)
  • Style: Art Nouveau (late period)
  • Address: 10 rue Pavée, 75004 Paris (Le Marais), France
  • GPS: 48.855972, 2.360486 — Open in Google Maps
  • Function: Active Orthodox synagogue, Ashkenazi rite
  • Status: Listed monument historique (1989); Guimard’s only synagogue

History

The synagogue was commissioned by the Agoudas Hakehilos association — the “Union of the Communities” — an Orthodox body drawing mainly on Russian and Polish Jewish immigrants who had settled in the Pletzl, the Jewish quarter of the Marais. The plot on rue Pavée was narrow and hemmed in. Guimard drew the plans around 1913 and the building was completed by 1914, on the eve of the First World War.

On the night of 2–3 October 1941, during the German occupation, the synagogue was among several in Paris damaged by explosions set in a coordinated antisemitic attack. The building was repaired after the war and its congregation continued. In 1989 it was classified a monument historique, recognition both of Guimard’s authorship and of its place in the history of the quarter.

The synagogue remains in active use today, led by its rabbinic family and serving an Ashkenazi Orthodox community. It is one of the few Guimard buildings that has kept its original purpose unbroken for more than a century, and the only one he designed for worship.

What you see

The façade is a tall sheet of stone that bows outward in shallow vertical undulations, as if a curtain had been pulled taut and frozen. Guimard treated the masonry the way he treated iron elsewhere — as a material that flows — and kept carving to a minimum, so the movement is structural rather than applied. The narrow front rises straight from the pavement, taller than it is wide, shaped entirely by the constraints of the site.

Inside, when the building is open, the sanctuary is compact and vertical: women’s galleries are carried on slender cast-iron columns up the side walls, the Ark stands against the eastern wall, and the fittings — light brackets, balustrades, railings — show Guimard’s late, restrained line. Every element was designed to wring height and light from a plot that offered little of either.

Practical information

  • Access: An active synagogue; interior visits depend on the community’s schedule and security arrangements
  • Dress: Modest dress expected; men cover their heads inside
  • Façade: Visible from rue Pavée at any time, free of charge
  • Time needed: 15–20 minutes for the exterior
  • Combine with: A walk through the Marais — the Jewish museum and Place des Vosges are close

Getting there

The synagogue is at 10 rue Pavée, in the 4th arrondissement, in the heart of the historic Marais. The nearest Métro is Saint-Paul (line 1), about four minutes’ walk to the east along rue de Rivoli and into rue Pavée. From the centre of Paris, line 1 runs directly to Saint-Paul. The surrounding streets — rue des Rosiers above all — form the old Jewish quarter of the city.

Nearby

Sources

  • Plateforme Ouverte du Patrimoine (POP) / base Mérimée — monument historique record (listed 1989), Ministère de la Culture
  • Musée d’art et d’histoire du Judaïsme — documentation on the Marais and its synagogues
  • Musée d’Orsay — Hector Guimard collections and documentation

Hero image: Paris-Marais-Synagoge, Wikimedia Commons, licensed CC BY-SA 4.0, © Gerd Eichmann. Editorial text © Cultural Heritage Online, 2026.

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