Advertising Poster by Mario Gros, 1938
An advertising poster designed by Mario Gros in 1938. Gros was a Turin-born graphic designer and painter who built a career as a leading Italian poster artist for cinema and commercial enterprises.
Photographer & Researcher
Stefano Vigolo
Stefano Vigolo photographs and documents Italian architecture of the interwar decades — the years known in Italy as the Ventennio — from Rationalism and Art Déco to the buildings that fall between the guidebooks. He is a researcher of the period.
Contributions: 516 articles · 106 heritage places · 7 events · 12 itineraries · 89 photographs
2,828 articles on the Italian archive
Published on beniculturalionline.it, the Italian archive of this publication, online since 1998. They are being brought into Cultural Heritage Online.
- Stazione di servizio A.G.I.P. (u00a0 Azienda Generale Italiana Petroli ) oggi Stazione di servizio Tamoil - Asmara , Eritrea
- La torre e il treno - Giorgio De Chirico - 1934 ( Stefano Vigolo )
- Villino oggi Sede dell' Ambasciata Etiope in Eritrea - Asmara , Eritrea - Arch. Pietro Del Fabro - 1938
- Fontana di Ghezzabanda oggi Fontana Mai Jah Jah - Asmara , Eritrea - Arch. Lorenzo Azzolini - 1939
- Palazzo Manifatturau00a0Tabacchi oggi Palazzo British e American Tobacco Eritrea - Asmara , Eritrea. 1938
- Edificio abitazione , Quartiere Alfa Romeo - Asmara , Eritrea
- Particolare Bar all'interno del Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Fabbrica Alfa Romeo - Asmara , Eritrea - 1937
- Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Edificio abitazione e negozi - Asmara , Eritrea
- Caserma della M.V.S.N ( Milizia Volontaria Sicurezza Nazionale ) oggi Palazzo della Banca d'Eritrea - Asmara , Eritrea
- Cinema Augustus oggi Cinema Capitol - Asmara , Eritrea - Arch. R. Saviele - 1938
Paesaggio Veneto by Virgilio Guidi, 1927
A Venetian landscape by Roman painter Virgilio Guidi from 1927, exemplifying his post-war approach to modern subject matter rendered in tonality inspired by the Venetian masters.
Esplosione della primavera by Enzo Benedetto, 1941
Esplosione della primavera is a 1941 painting by Italian Futurist artist Enzo Benedetto. The work exemplifies Benedetto’s synthesis of color and word, a practice he termed cromo-paro-libera.
Advertising Poster by Sante Cancian, 1936
An advertising poster created by Italian painter and illustrator Sante Cancian in 1936. Cancian was a Treviso-based artist known for his work in visual media and graphic design.
Advertising Poster by Luigi Martinati
An advertising poster by Italian illustrator and graphic designer Luigi Martinati, active in Rome from the early twentieth century through mid-century.
Ballerina spagnola by Roberto Iras Baldessari, 1922
Roberto Iras Baldessari’s Ballerina spagnola, painted in 1922, reflects the artist’s experimental phase during his European sojourns in the early interwar years.
Filorimessa Atac, Rome, by Mario Loreti (1937)
A trolleybus depot designed by Roman architect Mario Loreti in 1937 for Rome’s municipal transport authority. The building exemplifies the functional modernism of Italy’s interwar period.
La Rinascente Advertising Poster by Marcello Dudovich, 1931
An advertising poster for La Rinascente department store, designed by Marcello Dudovich in 1931. The work exemplifies the elegant commercial art of interwar Italian poster design.
Advertising Poster for Linee Aeree by Giuseppe Riccobaldi Del Bava, 1934
An advertising poster for Linee Aeree, created by Italian painter Giuseppe Riccobaldi Del Bava in 1934. The work exemplifies the designer’s noted expertise in travel and marketing poster design.
Composizione by Filiberto Sbardella, 1943
A composition painted by Italian artist Filiberto Sbardella in 1943, during the final years of the Fascist period. Sbardella was a versatile painter, muralist, mosaicist and architect active across Italy’s interwar artistic movements.