Arequipa Cathedral: the church that has been destroyed and rebuilt so many times, its towers are still a work in progress

Basilica Cathedral of Arequipa, Peru, its white sillar volcanic-stone facade spanning the entire north side of the Plaza de Armas, rebuilt after fire in 1844 and earthquakes in 1868 and 2001
Basilica Cathedral of Arequipa, Peru. Photo: Afther Mather, via Wikimedia Commons, CC BY-SA 4.0.
Plaza de Armas, Arequipa, Perù · fondata nel 1540, in pietra sillar bianca · distrutta e ricostruita dopo l’incendio del 1844 e i terremoti del 1868 e del 2001 · sede dell’Arcidiocesi di Arequipa

Arequipa Cathedral: the church that has been destroyed and rebuilt so many times, its towers are still a work in progress

Sulla Plaza de Armas di Arequipa, in Perù, la costruzione della cattedrale iniziò lo stesso anno della fondazione della città, il 1540, con un contratto formale firmato nel febbraio 1544 con l’architetto Pedro Godínez e i lavori sul portale affidati a Toribio de Alcaraz da settembre dello stesso anno. L’edificio attuale, però, porta i segni di secoli di ricostruzioni: un incendio nel 1844 distrusse gran parte degli interni — dipinti, sculture, arredi, volte e pilastri — e la ricostruzione fu diretta dal vescovo José Sebastián de Goyeneche y Barreda con la direzione tecnica dell’architetto Lucas Poblete; un violento terremoto nel 1868 abbatté le torri, parte del portale principale, alcuni archi della facciata e diversi altari, ricostruiti negli anni successivi più alti e slanciati dallo stesso team; infine il terremoto dell’8,3 di magnitudo del 23 luglio 2001 danneggiò entrambe le torri, con il crollo parziale di quella sinistra. La cattedrale è interamente costruita in sillar, la pietra vulcanica bianca che dà ad Arequipa il soprannome di “Città Bianca”, in uno stile descritto come neorinascimentale con influenze gotiche, o talvolta neoclassico. Si affaccia sull’intero lato nord della Plaza de Armas — tra i pochi esempi al mondo di cattedrale che occupa da sola un’intera facciata di piazza, secondo quanto comunemente riportato — ed è suddivisa in tre navate che formano una croce latina. All’interno si trovano un organo a canne di manifattura belga, opera di François Bernard Loret e considerato tra i più grandi del Sud America, un pulpito in quercia intagliato dalla bottega Buisine-Rigot di Lille, in Francia, installato nel 1879, e l’altare maggiore in marmo di Carrara, opera dello scultore Felipe Maratillo. La cattedrale fa parte, insieme al resto del centro storico, del Patrimonio Mondiale UNESCO “Centro storico della città di Arequipa”, iscritto nel dicembre 2000, ed è oggi sede dell’arcivescovo e del consiglio metropolitano dell’Arcidiocesi di Arequipa.

About Arequipa Cathedral

On Arequipa’s Plaza de Armas in Peru, construction of the cathedral began in the same year the city was founded, 1540, with a formal contract signed in February 1544 with the architect Pedro Godínez and portal work assigned to Toribio de Alcaraz from September of that year. The building standing today, however, carries the marks of centuries of rebuilding: a fire in 1844 destroyed much of the interior — paintings, sculptures, furnishings, vaults and pillars — and reconstruction was directed by Bishop José Sebastián de Goyeneche y Barreda with technical direction from the architect Lucas Poblete; a violent earthquake in 1868 brought down the towers, part of the main portal, some of the facade arches and several altars, rebuilt in the following years taller and more slender by the same team; and finally the magnitude-8.3 earthquake of 23 July 2001 damaged both towers, with the left tower partially collapsing. The cathedral is built entirely of sillar, the white volcanic stone that gives Arequipa its nickname “the White City,” in a style described as Neo-Renaissance with Gothic influences, or sometimes Neoclassical. It fronts the entire north side of the Plaza de Armas — one of the few cathedrals anywhere commonly said to occupy a full side of a main square on its own — and is divided into three naves forming a Latin cross. Inside stand a Belgian-made pipe organ, the work of François Bernard Loret and considered among the largest in South America, an oak pulpit carved by the Buisine-Rigot workshop of Lille, France, installed in 1879, and a main altar of Carrara marble by the sculptor Felipe Maratillo. The cathedral forms part, together with the rest of the historic centre, of the UNESCO World Heritage Site “Historic Centre of the City of Arequipa,” inscribed in December 2000, and today serves as the seat of the Archbishop and metropolitan council of the Archdiocese of Arequipa.

Key facts

  • 1540: construction begins the same year Arequipa is founded; formal contract signed 1544
  • 1844: a major fire destroys much of the interior; rebuilt under Bishop Goyeneche and architect Lucas Poblete
  • 1868: an earthquake destroys the towers and part of the facade, later rebuilt taller and more slender
  • 2001: a magnitude-8.3 earthquake damages both towers, partially collapsing the left one
  • Built of sillar, the white volcanic stone giving Arequipa its “White City” nickname
  • 2000: becomes part of the UNESCO World Heritage Site “Historic Centre of the City of Arequipa”

History

Few cathedrals anywhere have been rebuilt as many times, by as many different causes, as Arequipa’s: fire in 1844, earthquake in 1868, and earthquake again in 2001, each time repaired or reconstructed rather than replaced, so that the structure standing today is best understood as a layered record of the city’s repeated recoveries rather than a single unbroken 16th-century building. The cathedral’s siege by nature has become part of local identity in a city nicknamed for its white volcanic stone and framed by three active volcanoes, chief among them El Misti.

What you see

The cathedral’s white sillar facade runs the full length of the Plaza de Armas’ north side, its twin towers rebuilt taller and more slender after the 1868 earthquake and repaired again after 2001. Inside, three naves forming a Latin cross lead to a Carrara marble main altar, flanked by the Belgian-made Loret organ and the French oak pulpit carved in Lille — a gathering of European craftsmanship inside a building shaped, again and again, by Andean geology.

Practical information

  • Opening hours: generally open daily with seasonal variation; some areas require a separate ticket; check current hours before visiting
  • Address: Plaza de Armas, Arequipa, Peru

Getting there

Arequipa Cathedral occupies the north side of the Plaza de Armas, easily reached on foot within the historic centre. GPS: 16°23′53″S, 71°32′12″W.

Nearby

  • La Compañía de Arequipa — the Jesuit church on the same square, famed for its mestizo Baroque facade
  • Santa Catalina Monastery — the famous walled convent complex, a short walk away
  • Plaza de Armas de Arequipa — the historic city’s main square

Sources

  • Wikipedia — “Basilica Cathedral of Arequipa” (en.wikipedia.org)
  • UNESCO World Heritage Centre — “Historic Centre of the City of Arequipa” (whc.unesco.org)
  • Wikipedia — “Historic Centre of Arequipa” (en.wikipedia.org)

Hero image: Basilica Cathedral of Arequipa, by Afther Mather, Wikimedia Commons, CC BY-SA 4.0. Editorial text © Cultural Heritage Online, 2026.

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