Villa Antolini — Vucetich’s Secession Villa in Riccione (1923)

Villa Antolini — Vucetich’s Secession Villa in Riccione (1923)
Villa Antolini, Riccione. Photo: Andrea Speziali via Wikimedia Commons, CC BY-SA 4.0.
Riccione, Emilia-Romagna · 1923 · Vienna Secession / Liberty

Villa Antolini

Mirko Vucetich’s 1923 villa on Viale Milano, where Secession geometry meets a curving Baroque entrance and a private code of numbers.

At a glance

A short walk back from the Riccione seafront, on Viale Milano, Villa Antolini is the strangest of the resort’s early villas. The artist and architect Mirko Vucetich (Bologna, 1898 – Vicenza, 1975) designed it in 1923 for Dante and Egle Antolini. He crossed the cool geometry of the Vienna Secession with a curved entrance front that nods to Francesco Borromini, then threaded the whole house with symbols: a five-pointed star, a hexagon, rooms proportioned on multiples of three. It is a small building that takes itself very seriously, and rewards a slow look.

Key facts

  • Built: 1923
  • Architect: Mirko Vucetich (1898–1975)
  • Style: Vienna Secession / Liberty
  • Commissioned by: Dante and Egle Antolini
  • Address: Viale Milano 79, Riccione
  • Signature motifs: five-pointed star, hexagon, proportions on multiples of three, curved Borrominian entrance
  • Coordinates: 43.999454, 12.666197 — Google Maps

History

Riccione turned from a fishing village into a fashionable Adriatic resort in the first decades of the 20th century. As the season grew, villas rose along Viale Milano, Viale Ceccarini and the streets behind the beach, most of them in the gentle Liberty idiom of the Italian seaside. Villa Antolini was not most of them.

Vucetich was a sculptor, stage designer and architect who worked across the currents of modernism, Futurism and Novecento. For the Antolini family — who lived between Rome and the United States — he built in 1923 a house that wore its symbolism openly. The recurring star and hexagon, and the insistence on the number three in the layout, gave the villa a reputation for esoteric meaning that has followed it ever since.

The villa survives as one of the most discussed pieces of early-20th-century architecture on the Romagna coast, studied as much for Vucetich’s iconography as for its place in the story of Riccione Liberty.

What you see

One of the entrance fronts curves. In a gesture borrowed from the Roman Baroque of Francesco Borromini, Vucetich bowed the facade at the doorway into a shallow concave embrace. Elsewhere the ornament is geometric rather than floral: stars, hexagons and clean linear frames in the Secession manner, closer to Vienna than to Nancy.

Inside, the planning is governed by proportion. Vucetich set the rooms to multiples of three, a discipline that turns the small villa into a kind of diagram. The result is a building that looks decorative from the street and reads as a system once you know how it was made.

Practical information

  • Villa Antolini is a private property; it is appreciated from the street, not toured inside.
  • Its geometric Secession ornament — stars, hexagons and linear frames — is the feature to look for from Viale Milano.
  • Combine it with the other Liberty villas of Riccione for a short walking itinerary.

Getting there

Riccione is on the Bologna–Ancona railway, a few minutes south of Rimini. From Riccione station it is a level walk or short bus ride towards the sea; Viale Milano runs parallel to the shore through the villa districts of Abissinia and Alba.

Nearby

  • Villa Mussolini (Villa Margherita) — the Liberty villa on the same Viale Milano
  • Viale Ceccarini — the historic promenade of Riccione Liberty
  • The Rationalist colonie of Riccione: ex Colonia Reggiana and Colonia Dalmine

Sources

  • Istituto per i beni culturali della Regione Emilia-Romagna — Rivista IBC, “Ritorno a Villa Antolini”
  • Comune di Riccione — storia e cultura, ville Liberty
  • Wikimedia Commons — category “Mario Mirko Vucetich”

Hero image: Villa Antolini a Riccione by Andrea Speziali, Wikimedia Commons, licensed CC BY-SA 4.0. Editorial text © Cultural Heritage Online, 2026.

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