De Vijf Werelddelen (House of the Five Continents), Antwerp

Eccentric Art Nouveau facade of the House of the Five Continents on Schildersstraat in Antwerp
De Vijf Werelddelen by Frans Smet-Verhas, Schildersstraat, Antwerp. Photo via Wikimedia Commons, CC BY-SA.
Antwerp, Belgium · 1901 · Art Nouveau

De Vijf Werelddelen

A house named for the five continents, dreamed up by a port city at the height of its trading wealth.

At a glance

De Vijf Werelddelen — the House of the Five Continents — stands on the Schildersstraat in the museum quarter of southern Antwerp, the city’s “Zuid”. It was finished in 1901 to designs by Frans Smet-Verhas, one of the principal architects to work in Art Nouveau in Antwerp. Eccentric and exuberant, the house is one of his two most famous buildings, and it carries the maritime, world-spanning imagination of a port that was then growing rich on global trade. The name itself — the five continents — reads as a merchant city’s view of the world, set into a facade.

Key facts

  • Architect: Frans Smet-Verhas
  • Finished: 1901
  • Style: Art Nouveau
  • Location: Schildersstraat, Antwerp Zuid (museum quarter)
  • Status: one of Smet-Verhas’s two most famous works
  • Theme: a maritime, world-spanning iconography

History

By 1900 Antwerp was one of the great ports of Europe, and its new wealth showed in the houses its citizens built. Frans Smet-Verhas, born in 1851, had begun in eclectic and Flemish Renaissance-revival styles before turning, around 1900, to the new Art Nouveau.

De Vijf Werelddelen, completed in 1901, was one of the results, in the developing quarter south of the Royal Museum of Fine Arts. A few years later, in 1905, the same architect built another celebrated house in the city, the House of the Battle of Waterloo.

The two remain his best-known works, and De Vijf Werelddelen is one of the landmarks of Antwerp’s turn-of-the-century architecture.

What you see

The facade is tall, narrow and frankly theatrical, an Art Nouveau composition that breaks from the calm brick fronts around it with curving lines, sculptural relief and a restless, ornamental surface. It is the work of an architect who used the style for drama rather than restraint.

The house belongs to a moment when Antwerp’s architects competed to give private townhouses the presence of small monuments. Smet-Verhas answered with a building meant to be looked at, its decoration carrying the seafaring, far-horizon theme of its name.

Practical information

  • The house is private; the facade is seen from the street.
  • It sits in the gallery-and-antiques quarter near the Royal Museum of Fine Arts (KMSKA).
  • Time needed: a short stop on an Antwerp Art Nouveau walk.

Getting there

The Schildersstraat is in the Zuid district of Antwerp, a short walk or tram ride south of the centre, beside the Royal Museum of Fine Arts.

Nearby

  • The Royal Museum of Fine Arts Antwerp (KMSKA).
  • The Art Nouveau townhouses of the Zurenborg district.
  • The galleries and cafés of the Zuid.

Sources

  • Wikipedia (EN), “Frans Smet-Verhas”.
  • Flemish heritage inventory (inventaris.onroerenderfgoed.be).

Hero image via Wikimedia Commons, licensed CC BY-SA. Editorial text © Cultural Heritage Online, 2026.

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