Gita in barca by Antonio Donghi, 1938
An oil painting of a boating excursion by Italian neoclassical painter Antonio Donghi. The work exemplifies his refined technique and populist approach to contemporary life.
An oil painting of a boating excursion by Italian neoclassical painter Antonio Donghi. The work exemplifies his refined technique and populist approach to contemporary life.
A sculpture by Italian artist Giacomo Manzù created in 1937–38. The work exemplifies the figurative approach Manzù developed during his rise to national prominence in the 1930s.
An advertising poster designed by Lucio Venna in 1927. Venna was an Italian painter and exponent of the Futurist movement.
An advertising poster designed by Marcello Dudovich around 1929. Dudovich was one of the founding figures of Italian poster design in the late nineteenth and early twentieth centuries.
A portrait painting by Italian artist Felice Casorati from 1929, depicting a young girl holding a doll. The work exemplifies Casorati’s distinctive approach to figure composition and perspective.
A still-life composition painted by Achille Beltrame in 1942. Beltrame was an Italian painter and illustrator known for his long association with the weekly magazine La Domenica del Corriere.
Giorgio de Chirico’s 1937 painting depicts a solitary archaeologist, exemplifying the artist’s metaphysical vision and distinctive treatment of perspective and figuration.
A painting by Giorgio de Chirico from 1927 that exemplifies the artist’s metaphysical style, featuring his characteristic use of classical architecture, mannequins, and disorienting perspective.
Archeologi is a 1936 painting by Giorgio de Chirico, the Greek-Italian founder of Metaphysical Art. The work exemplifies his distinctive visual language of enigmatic spaces and philosophical inquiry.
A portrait painting created by Italian Futurist master Gino Severini in 1927, executed during his period of engagement with neo-classical principles and the post-war return to order.