Incendio, Città by Gerardo Dottori, 1926
A Futurist painting by Italian artist Gerardo Dottori depicting an urban fire scene. Created in 1926, the work exemplifies the dynamic visual language of early twentieth-century Futurism.
Photographer & Researcher
Stefano Vigolo
Stefano Vigolo photographs and documents Italian architecture of the interwar decades — the years known in Italy as the Ventennio — from Rationalism and Art Déco to the buildings that fall between the guidebooks. He is a researcher of the period.
Contributions: 516 articles · 106 heritage places · 7 events · 12 itineraries · 89 photographs
2,828 articles on the Italian archive
Published on beniculturalionline.it, the Italian archive of this publication, online since 1998. They are being brought into Cultural Heritage Online.
- Stazione di servizio A.G.I.P. (u00a0 Azienda Generale Italiana Petroli ) oggi Stazione di servizio Tamoil - Asmara , Eritrea
- La torre e il treno - Giorgio De Chirico - 1934 ( Stefano Vigolo )
- Villino oggi Sede dell' Ambasciata Etiope in Eritrea - Asmara , Eritrea - Arch. Pietro Del Fabro - 1938
- Fontana di Ghezzabanda oggi Fontana Mai Jah Jah - Asmara , Eritrea - Arch. Lorenzo Azzolini - 1939
- Palazzo Manifatturau00a0Tabacchi oggi Palazzo British e American Tobacco Eritrea - Asmara , Eritrea. 1938
- Edificio abitazione , Quartiere Alfa Romeo - Asmara , Eritrea
- Particolare Bar all'interno del Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Fabbrica Alfa Romeo - Asmara , Eritrea - 1937
- Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Edificio abitazione e negozi - Asmara , Eritrea
- Caserma della M.V.S.N ( Milizia Volontaria Sicurezza Nazionale ) oggi Palazzo della Banca d'Eritrea - Asmara , Eritrea
- Cinema Augustus oggi Cinema Capitol - Asmara , Eritrea - Arch. R. Saviele - 1938
La Vittoria by Eugenio Baroni, 1929
La Vittoria is a sculpture created by Italian artist Eugenio Baroni in 1929. The work reflects Baroni’s mature artistic vision following his experiences in the First World War.
Cavallino, Arturo Dazzi (1927)
A sculpture by Italian artist Arturo Dazzi, created in 1927. The work exemplifies the sculptural practice of the interwar period.
Monument to the Fallen in Fabriano by Arturo Dazzi
Monumento ai Caduti in Fabriano, Ancona, created by sculptor Arturo Dazzi in 1926. A work of commemorative sculpture from Italy’s interwar period.
Linee forza di mare, Giacomo Balla, 1926
Giacomo Balla’s 1926 painting Linee forza di mare captures movement and light through dynamic linear forms. The work exemplifies the artist’s Futurist approach to depicting energy and motion without reference to machinery.
Penombre Riflessi Tulipani by Giacomo Balla, 1940
Giacomo Balla’s 1940 painting Penombre Riflessi Tulipani captures light and reflection through tulips. The work exemplifies the artist’s distinctive approach to Futurism, emphasizing luminous effects rather than mechanical themes.
Figlia del sole by Giacomo Balla (1933)
Figlia del sole is a 1933 painting by Giacomo Balla, the Italian Futurist artist known for his dynamic depictions of light and movement.
Hymn to Rome: Salvatori and Puccini’s 1919 Patriotic Anthem
Presented in December 2018, this essay examines “Inno a Roma,” a patriotic hymn with text by Fausto Salvatori set to music by Giacomo Puccini in 1919, celebrating Rome’s place in Italian national identity.
The Fiat CR.42 Falco: Italy’s Last Series Biplane Fighter
The Fiat CR.42 Falco, displayed at RAF Museum Hendon in London, was a single-seat biplane fighter produced by Turin-based Fiat from the late 1930s. It remained in service throughout World War II and holds the distinction of being the last biplane fighter to shoot down an enemy aircraft.
Advertising Poster by Marcello Dudovich, 1927
An advertising poster designed by Marcello Dudovich in 1927. Dudovich was a pioneering figure in Italian poster design, working across lithography and commercial art throughout his career.