ANIC Lubricating Oil Advertising Sheet Year XX
Advertising sheet for A.N.I.C. lubricating oil, signed «C. Cremonesi XX». Scan from the Stefano Vigolo collection. One colour, one idea:
Works, objects and printed matter from Italy between 1922 and 1944, documented from private archives.
Advertising sheet for A.N.I.C. lubricating oil, signed «C. Cremonesi XX». Scan from the Stefano Vigolo collection. One colour, one idea:
An engineer-turned-poster-artist advertises Florence’s oldest engineering house, branded under its pre-1954 name — the window the 1941 date falls neatly inside.
A gyrocompass poster for a real wartime Turin precision-instrument maker. We could not confirm the signature, so we publish it without an artist name rather than guess.
A Saint-George knight sells precision scales for a real Genoa engineering firm. The 1927 date and the Santambrogio attribution are the collector’s record, not facts we could independently confirm.
A prize-winning, explicitly propagandistic painting from the 1930 Venice Biennale, today recorded as dispersed or destroyed. We document it as period record, not celebration.
Trucks, a crane and the Colosseum: Cisari prints the tail end of the Via dell’Impero works that reshaped Rome around the amphitheatre in 1932-33.
A construction-site print titled after the Santa Chiara dam in Sardinia — except the dam was finished nine years before the date on the print. We publish the discrepancy along with the image.
A synthetic Art Deco profile portrait of Crown Prince Umberto, signed Fausto Giorno — the pen name of the Futurist Tiburzio Notte, reconstructed by scholarship only in 2021.
Microtecnica Torino, Micron IX — magazine advertisement. Scan from a period original, Stefano Vigolo collection. A cinema projector photographed on