The plan is invisible from the ground: why landscape and urban students should publish the places they survey

CHO Academic · Landscape and urban studies

You can draw the plan, the section and the density figures. The person standing in the square cannot see any of it. That is the page worth writing.

Panoramic view of Latina and the Pontine plain
Latina and the reclaimed plain: the radial plan is invisible from here. (Photo: Gaetano Rap, CC BY 2.0, via Wikimedia Commons)

Urban and landscape studies produce the hardest documentation in the built environment: plans, sections, densities, land use, hydrology, before-and-after photographs.

And almost all of it is invisible on the ground. The person standing in a square sees a clock tower, not a radial plan. Sees a field, not a reclamation scheme.

That gap, between what the drawing knows and what the place shows, is the page CHO can publish.

A view of Sabaudia
Sabaudia, the most celebrated of the Pontine new towns. (Photo: seier+seier, CC BY 2.0, via Wikimedia Commons)

Two new towns, one plain

The Palazzo Comunale di Latina was built by Oriolo Frezzotti in 1932-1933 at the centre of the radial plan he drew for Littoria. Its 32-metre travertine clock tower is visible across the reclaimed plain.

At Sabaudia the church of the Santissima Annunziata, built in 1935 by Gino Cancellotti with a 47-metre bell tower, carries a facade mosaic by Ferruccio Ferrazzi that tells the story of the reclamation.

Same plain, same decade, two different arguments about what a new town should look like.

The town hall of Sabaudia
The town hall of Sabaudia. (Photo: NeLANt, CC BY-SA 4.0, via Wikimedia Commons)

What you can publish

A place reading. The building, the square, the plan behind them, and what a visitor can and cannot see of it.

A landscape pair. The plain and the mountain above it: the Cistercian abbey of Valvisciolo, a thirteenth-century foundation in the Lepini, reads differently once you know what happened to the land below.

A survey, published. Your drawings, your photographs, your measurements, with the date of the survey.

Where to start

Start with the place your studio project is about. You already have the drawings; what you do not have is a page that explains them to someone who will never read the technical report.

Write the three hundred words that make the plan visible from the square.

What it does for your record

Planning and landscape offices hire people who can explain a space to people who do not read plans.

A published place reading is that skill, dated and signed, in front of anyone who looks. It will not get you a job on its own. It shows you can move between the drawing and the street.

Two things to know

Photograph the landscape, not the people. Photographs of identifiable people are not published without consent, and several European countries limit freedom of panorama for recent architecture and public art.

Say when the survey was taken. A plan without a date is an opinion. The value of a published survey is that a later reader can see what changed.

Frequently asked questions

Is CHO Academic free?

Yes. A free account is open to anyone and needs no institution. Students and faculty at a partner institution get Operator PRO at no cost: a department code or a recognised institutional address switches it on.

Does it count as a publication?

It is edited, fact-checked and carries the ISSN, so it can be cited. It is not a peer-reviewed article in an indexed journal.

The Cistercian abbey of Valvisciolo in the Lepini mountains
The Cistercian abbey of Valvisciolo, in the Lepini above the plain. (Photo: Livioandronico2013, CC BY-SA 3.0, via Wikimedia Commons)

Can I publish drawings from a studio project?

Yes, if they are yours and the course does not restrict it. Credits stay yours, and the page says when the survey was made.

Who owns the copyright of my text?

You do. You grant CHO a licence to publish and archive the piece with your credit, and the licence is described on the CHO Academic page.

Sources

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