Periferia. Il tram e la gru by Mario Sironi
A 1921 painting by Italian Modernist artist Mario Sironi depicting an urban periphery with a tram and crane, exemplifying his characteristic style of massive, immobile forms.
A 1921 painting by Italian Modernist artist Mario Sironi depicting an urban periphery with a tram and crane, exemplifying his characteristic style of massive, immobile forms.
La Famiglia is a 1929 painting by Italian Modernist artist Mario Sironi, characterized by the massive, immobile forms typical of his work.
A painting of the Tre Cime di Lavaredo, the distinctive three peaks in the Dolomites, executed by Italian Modernist artist Mario Sironi around 1940.
An urban landscape painting by Italian Modernist Mario Sironi, completed in 1928. The work exemplifies the artist’s characteristic style of monumental, static forms rendered in somber tones.
A still life painting by Italian artist Oscar Ghiglia, created in 1936. The work exemplifies the artist’s engagement with classical and modernist traditions.
A portrait painting by Italian artist Felice Casorati, executed in 1924–25. The work exemplifies Casorati’s distinctive approach to figure composition and portraiture.
A painting by Italian modernist Ubaldo Oppi from 1927, rendered in the neo-quattrocento realist style characteristic of Novecento Italiano.
Ubaldo Oppi painted this work in 1930, drawing on Renaissance figuration and the neo-quattrocento realist vocabulary that defined his approach within the Novecento Italiano movement.
Presented in 1939, the Fiat-40 Boghetto was a tracked agricultural tractor designed to circumvent petroleum import restrictions during Italy’s autarky period.
Fiat introduced the 702 agricultural tractor in Turin in 1919, marking the company’s entry into farm machinery. The model found success across Italy and abroad through demonstration tours.