Monument to Francesco Petrarca by Alessandro Lazzerini, Arezzo (1928)
A sculptural monument to the medieval poet Francesco Petrarca, created by Italian sculptor Alessandro Lazzerini and installed in Arezzo in 1928.
A sculptural monument to the medieval poet Francesco Petrarca, created by Italian sculptor Alessandro Lazzerini and installed in Arezzo in 1928.
A sculptural work by Italian artist Mino Rosso created around 1931. The piece exemplifies the artist’s approach to form through rhythmic interpenetration of volumes.
Arturo Dazzi’s memorial to Italy’s war dead, completed in Crema in 1924. A sculptural work by the Carrara-trained artist, who became known for major public commissions.
A sculptural detail by Eugenio Baroni depicting a fisherman, part of the Tennis Stadium at Foro Italico in Rome. The complex was built between 1928 and 1938 as a sports venue designed by Enrico Del Debbio and Luigi Moretti.
Adolfo Wildt carved this marble portrait in 1924. The work exemplifies the sculptor’s refined approach to figurative sculpture, combining technical precision with modernist sensibility.
A marble portrait sculpture of King Victor Emmanuel III, created by Italian sculptor Adolfo Wildt in 1930. The work exemplifies Wildt’s characteristic blend of formal simplicity and refined execution.
This monument, designed by Cosimo Sorgi in 1922, commemorates those who died in service. It stands in Caltanissetta, Sicily.
A bronze sculpture of a gentleman on horseback created by Italian sculptor Marino Marini in 1937, exemplifying his interest in Etruscan art and equestrian forms.
A sculpture by Italian artist Giacomo Manzù created in 1937–38. The work exemplifies the figurative approach Manzù developed during his rise to national prominence in the 1930s.