Tavolo con natura morta by Renato Guttuso, 1937
A still life painting by Italian expressionist Renato Guttuso, created in 1937. The work exemplifies the artist’s engagement with everyday subjects through a modernist lens.
Art
Reclining Female Nude in an Interior by Umberto Zimelli
A 1933 painting by Italian painter, scenographer and ceramicist Umberto Zimelli. The work exemplifies the figurative practice of a versatile artist active across multiple disciplines.
Febbraio 1929 by Ardengo Soffici
A work by Ardengo Soffici created in February 1929. Soffici was a Florentine artist and writer instrumental in bringing avant-garde movements to early 20th-century Italy.
Composizione in arancio by Mario Radice, 1938
An abstract composition in orange by Italian painter Mario Radice, created in 1938. Radice was a pioneering abstract artist and member of the Astrattisti Comaschi group based in Como.
Composizione n. 53, Luigi Veronesi, 1938
Composizione n. 53 is an abstract work by Italian artist Luigi Veronesi from 1938. Created during the artist’s formative period of experimentation with constructivist and photogrammatic techniques, it exemplifies his engagement with non-figurative art.
Advertising Poster by Giacinto Mondaini, 1933
An advertising poster designed by Italian painter and illustrator Giacinto Mondaini in 1933. Mondaini was a versatile artist who contributed graphic designs across multiple media during the interwar period.
Paesaggio by Giorgio Morandi, 1935
A landscape painting by Giorgio Morandi from 1935. The Italian painter is widely known for his subtly muted still-life paintings of ceramic vessels, flowers, and landscapes.
Advertising Poster by Gino Boccasile, circa 1940
An advertising poster created by Italian illustrator and graphic designer Gino Boccasile around 1940. Boccasile was among the most prominent poster artists of the Fascist era.
Still Life with Garlic by Filippo de Pisis, 1930
A still life painting by Italian artist Filippo de Pisis, created in 1930. The work exemplifies the artist’s characteristic approach to domestic objects and intimate composition.