Giampaolo Minotto at D’E.M. Venice Art Gallery, December 2018

D’E.M. Venice Art Gallery presented the solo exhibition “I Luoghi dell’Anima” (Places of the Soul) by Venetian painter Giampaolo Minotto from December 15, 2018 to January 15, 2019. The exhibition, held at the gallery’s location in via Cappuccina 15 in Mestre, honored the artist’s works, which convey an extraordinary sense of light and color.

The Artist and Exhibition

Minotto’s art emerges from an indomitable and impetuous inner desire, driven by a continuous need for research and perpetual evolution. The artist explores the deepest parts of the human soul, a sensitivity evident throughout his paintings. The exhibition lasted one month and featured not only Minotto’s work but also a selection of international artists, some exclusively presented to the Italian market.

Gallery Mission

D’E.M. Venice Art Gallery operates internationally in selecting new artists for the market and maintains a global scope regarding modern and contemporary art events. The gallery prioritizes recognizing artistic value at national and international levels while presenting stimulating opportunities to audiences of art enthusiasts, collectors, and investors. The gallery has consistently emphasized the importance of promoting the work of Venetian artists, placing Giampaolo Minotto among them with significant prominence.

Frequently asked questions

Where was the exhibition held?

The exhibition was held at D’E.M. Venice Art Gallery in via Cappuccina 15 in Mestre, Venice, from December 15, 2018 to January 15, 2019.

What characterized Minotto’s artistic approach?

Minotto’s art arose from an indomitable inner desire and continuous need for research and evolution, with the artist exploring the deepest aspects of the human soul, evident in his works’ treatment of light and color.

What did the gallery present alongside Minotto’s work?

Along with Minotto’s paintings, the exhibition featured a selection of international artists, some presented exclusively to the Italian market.

From the Cultural Heritage Online community archive, originally shared by Lorenzo Renzulli in 2018. Editorial text © Cultural Heritage Online.

📋 Copy & share on social
Scroll to Top