Teatro Smeraldo, Milan, 1939–1942
A theatre in Milan designed by architect Alessandro Rimini and completed in 1942. The venue hosted musical performances and later screenings before closing in 2012.
A theatre in Milan designed by architect Alessandro Rimini and completed in 1942. The venue hosted musical performances and later screenings before closing in 2012.
A still life painting by Italian expressionist Renato Guttuso, created in 1937. The work exemplifies the artist’s engagement with everyday subjects through a modernist lens.
A 1933 painting by Italian painter, scenographer and ceramicist Umberto Zimelli. The work exemplifies the figurative practice of a versatile artist active across multiple disciplines.
A work by Ardengo Soffici created in February 1929. Soffici was a Florentine artist and writer instrumental in bringing avant-garde movements to early 20th-century Italy.
A sculptural detail by Eugenio Baroni depicting a fisherman, part of the Tennis Stadium at Foro Italico in Rome. The complex was built between 1928 and 1938 as a sports venue designed by Enrico Del Debbio and Luigi Moretti.
Developed in 1942, the Reggiane Re.2002 Ariete was an Italian single-engine monoplane that evolved from earlier Reggiane designs and saw service with both the Italian air force and the Luftwaffe.
An advertising poster designed by Italian painter and illustrator Giacinto Mondaini in 1933. Mondaini was a versatile artist who contributed graphic designs across multiple media during the interwar period.
An abstract composition in orange by Italian painter Mario Radice, created in 1938. Radice was a pioneering abstract artist and member of the Astrattisti Comaschi group based in Como.
Composizione n. 53 is an abstract work by Italian artist Luigi Veronesi from 1938. Created during the artist’s formative period of experimentation with constructivist and photogrammatic techniques, it exemplifies his engagement with non-figurative art.
A landscape painting by Giorgio Morandi from 1935. The Italian painter is widely known for his subtly muted still-life paintings of ceramic vessels, flowers, and landscapes.