Still Life by Giorgio Morandi, 1929
Giorgio Morandi’s still life from 1929 exemplifies the Italian painter’s refined approach to domestic objects rendered in restrained tonalities.
Giorgio Morandi’s still life from 1929 exemplifies the Italian painter’s refined approach to domestic objects rendered in restrained tonalities.
A 1927 painting by Italian artist Carlo Carrà depicting a sunset over the sea. Carrà was a leading figure of the Futurist movement in early 20th-century Italy.
A postcard designed by Mario Gros, the Turin-based graphic artist and painter, in 1935. Gros was a prolific poster designer and chromatic engraver who worked across advertising, film promotion, and industrial printing.
A residential building in Milan’s Isola district, designed by Pietro Lingeri and Giuseppe Terragni between 1934 and 1938 in the Rationalist style.
Marina is a 1932 painting by Carlo Carrà , the Italian Futurist painter and theorist. Created during the artist’s later career, the work reflects his continued engagement with modernist approaches to form and composition.
A bronze bust monument to the Italian aviator Francesco Baracca, sculpted by Silvio Monfrini and unveiled in Milan’s Piazzale Francesco Baracca in 1931.
Massimo Campigli painted this portrait of architect Gio Ponti’s family in 1934. The work reflects Campigli’s engagement with figuration and his interest in classical and ancient sources.
An advertising poster from 1935 by Franz Lenhart, an Austrian-Italian painter and designer. Lenhart was a leading figure in Italian commercial poster design of the early twentieth century.
An advertising poster designed by Leonetto Cappiello in 1924. Cappiello pioneered modern poster design through bold figural compositions set against dark backgrounds.
A commemorative sculpture in Milan’s Porta Romana district honouring victims of the city’s first aerial bombardment in 1916. The monument depicts a Roman soldier and a Lombard knight supporting a wounded civilian casualty.