Advertising Poster by Mario Bazzi, 1931

Advertising Poster by Mario Bazzi, 1931
Manifesto – Mario Bazzi – 1931 — photo © Stefano Vigolo

An advertising poster designed by Mario Bazzi in 1931. Bazzi was an Italian illustrator, painter and prominent commercial cartellonist whose work appeared across newspapers, magazines and publishing houses.

Active from the postwar period onward, Bazzi developed a reputation as a versatile visual communicator, working in caricature, portraiture and advertising design. His commercial posters formed part of a broader practice that encompassed editorial illustration and fine art painting. His works are held in the collections of the Fondazione Cariplo.

About Mario Bazzi

Mario Bazzi (Bologna, 1891–Milan, 1954) served as an alpine soldier during the First World War and established his career in the years following the conflict. He worked across multiple disciplines—illustration, caricature, portraiture and advertising—for Italian periodicals, publishers and commercial clients. His output reflected the visual culture of early twentieth-century Italy, from editorial graphics to painted advertisements.

Details

  • Creator: Mario Bazzi
  • Year: 1931
  • Object type: Advertising poster
  • Collections: Fondazione Cariplo

Frequently asked questions

Who was Mario Bazzi?

Mario Bazzi (1891–1954) was a Bologna-born illustrator and painter who worked as a commercial cartellonist, caricaturist and portraitist. He served in the First World War and became established in the postwar period as a prolific designer for newspapers, magazines and publishing houses.

Where can Bazzi’s work be seen?

His works are held in the collections of the Fondazione Cariplo in Italy.

What did Bazzi design beyond advertising posters?

Bazzi worked as an illustrator for books and periodicals, a caricaturist for press and editorial publications, and as a painter in portraiture and other genres.

Sources

From the Cultural Heritage Online community archive, originally shared by Arte e Architettura del Ventennio in 2019. Editorial text © Cultural Heritage Online.

📋 Copy & share on social
Scroll to Top