Ponte de la Cereria — Miozzi’s Rio Novo, 1933

Ponte de la Cereria — Miozzi’s Rio Novo, 1933
The Ponte de la Cereria, built in 1933 on the Rio Novo. Photo: Stefano Vigolo, 2026.
Venezia, Veneto · 1933
Ponte de la Cereria — Miozzi's Rio Novo, 1933

Venice (1933): the stone bridge Eugenio Miozzi set over his new Rio Novo canal, named for the candle-makers who once worked this corner of the city.

At a glance

The Ponte de la Cereria crosses the Rio Novo a few steps from the Ponte del Pagan, and it belongs to the same year and the same project: 1933, and the opening of Eugenio Miozzi’s new canal. Where its neighbour is brick, the Cereria is a pale, low arch of brick and stone banded with Istrian stone and finished with a balustrade — the more formal of the two crossings, and the one Miozzi directed himself.

Key facts

  • Built: 1933, for the opening of the Rio Novo
  • Designer: Eugenio Miozzi, who directed the Rio Novo project from October 1930
  • Structure: stone arch with brick-and-stone core and Istrian-stone bands
  • Spans: between Fondamenta de la Cereria and Fondamenta del Passamonte, Dorsoduro
  • Name: from the cereria, the candle-makers’ trade once based here
  • Location: Dorsoduro, on the Rio Novo near Piazzale Roma

History

The Rio Novo was Venice’s most ambitious interwar public work: a new canal, dug between 1931 and 1933 through demolished houses and part of the Papadopoli gardens, to give Piazzale Roma a fast water route toward the Grand Canal. Its engineer was Eugenio Miozzi, the man behind the Accademia and Scalzi bridges and, in the same decade, the road causeway that first linked Venice to the mainland.

Miozzi bridged his new canal with a short family of crossings, and the Ponte de la Cereria — built under his direction — is the dressed-stone member of that family. It reads as the deliberate, permanent gesture of a chief engineer signing his own canal.

What you see

The bridge is a wide, shallow arch of brick and stone, banded and dressed in Istrian stone and finished with a low stone balustrade along both parapets. Its geometry is calm and horizontal, sitting the crossing gently over a broad reach of the canal. Against the brick Ponte del Pagan just upstream, the Cereria’s white stone reads as the more civic and finished of the pair.

The name

A cereria is a candle works. Venice once obtained raw wax from the Levant, Moldavia and Wallachia, and at its height the city counted around two dozen candle factories, their output feeding both export and the constant demand of the churches. The trade faded from the seventeenth century onward under competition from Trieste, but its name survived in this fondamenta and passed to the 1933 bridge.

Getting there

The bridge is a few minutes on foot from Piazzale Roma, alongside the Ponte del Pagan on the Rio Novo. It is a public crossing, open at all times.

Sources

Photograph © Stefano Vigolo, 2026, published by permission. Editorial text © Cultural Heritage Online, 2026.

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Record researched and written by for Cultural Heritage Online, 2026.

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Ponte de la Cereria — Miozzi’s Rio Novo, 1933

The Istrian-stone Ponte de la Cereria, built in 1933 on the Rio Novo. Photo: Stefano Vigolo, 2026.

Photo: Stefano Vigolo

€3.00

2322 × 1046 px · JPG · 1.1 MB

prints 20 × 9 cm at 300 dpi · taken 2026

Ponte de la Cereria — Miozzi’s Rio Novo, 1933 — The Istrian-stone Ponte de la Cereria, with the Previdenza Sociale building beyond.

Ponte de la Cereria — Miozzi’s Rio Novo, 1933 — The Istrian-stone Ponte de la Cereria, with the Previdenza Sociale building beyond.

Photo: Stefano Vigolo

€3.00

2324 × 1047 px · JPG · 1.1 MB

prints 20 × 9 cm at 300 dpi · taken 2026

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