Advertising Poster by Marcello Nizzoli, 1929
An advertising poster designed by Marcello Nizzoli in 1929, exemplifying the Italian graphic designer’s engagement with avant-garde movements during the interwar period.
Photographer & Researcher
Stefano Vigolo
Stefano Vigolo photographs and documents Italian architecture of the interwar decades — the years known in Italy as the Ventennio — from Rationalism and Art Déco to the buildings that fall between the guidebooks. He is a researcher of the period.
Contributions: 516 articles · 106 heritage places · 7 events · 12 itineraries · 89 photographs
2,828 articles on the Italian archive
Published on beniculturalionline.it, the Italian archive of this publication, online since 1998. They are being brought into Cultural Heritage Online.
- Stazione di servizio A.G.I.P. (u00a0 Azienda Generale Italiana Petroli ) oggi Stazione di servizio Tamoil - Asmara , Eritrea
- La torre e il treno - Giorgio De Chirico - 1934 ( Stefano Vigolo )
- Villino oggi Sede dell' Ambasciata Etiope in Eritrea - Asmara , Eritrea - Arch. Pietro Del Fabro - 1938
- Fontana di Ghezzabanda oggi Fontana Mai Jah Jah - Asmara , Eritrea - Arch. Lorenzo Azzolini - 1939
- Palazzo Manifatturau00a0Tabacchi oggi Palazzo British e American Tobacco Eritrea - Asmara , Eritrea. 1938
- Edificio abitazione , Quartiere Alfa Romeo - Asmara , Eritrea
- Particolare Bar all'interno del Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Fabbrica Alfa Romeo - Asmara , Eritrea - 1937
- Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Edificio abitazione e negozi - Asmara , Eritrea
- Caserma della M.V.S.N ( Milizia Volontaria Sicurezza Nazionale ) oggi Palazzo della Banca d'Eritrea - Asmara , Eritrea
- Cinema Augustus oggi Cinema Capitol - Asmara , Eritrea - Arch. R. Saviele - 1938
Advertising Poster by Aurelio Craffonara, 1927
An advertising poster designed by Italian painter and illustrator Aurelio Craffonara in 1927. Craffonara was a prolific creator of commercial graphics and satirical illustrations throughout his career.
Gita in barca by Antonio Donghi, 1938
An oil painting of a boating excursion by Italian neoclassical painter Antonio Donghi. The work exemplifies his refined technique and populist approach to contemporary life.
Il cardinale by Giacomo Manzù, 1937–38
A sculpture by Italian artist Giacomo Manzù created in 1937–38. The work exemplifies the figurative approach Manzù developed during his rise to national prominence in the 1930s.
Advertising Poster by Lucio Venna, 1927
An advertising poster designed by Lucio Venna in 1927. Venna was an Italian painter and exponent of the Futurist movement.
Advertising Poster by Marcello Dudovich, circa 1929
An advertising poster designed by Marcello Dudovich around 1929. Dudovich was one of the founding figures of Italian poster design in the late nineteenth and early twentieth centuries.
Girl with Doll by Felice Casorati, 1929
A portrait painting by Italian artist Felice Casorati from 1929, depicting a young girl holding a doll. The work exemplifies Casorati’s distinctive approach to figure composition and perspective.
Archeologo solitario by Giorgio de Chirico, 1937
Giorgio de Chirico’s 1937 painting depicts a solitary archaeologist, exemplifying the artist’s metaphysical vision and distinctive treatment of perspective and figuration.
Archeologi by Giorgio de Chirico, 1927
A painting by Giorgio de Chirico from 1927 that exemplifies the artist’s metaphysical style, featuring his characteristic use of classical architecture, mannequins, and disorienting perspective.
Archeologi by Giorgio de Chirico, 1936
Archeologi is a 1936 painting by Giorgio de Chirico, the Greek-Italian founder of Metaphysical Art. The work exemplifies his distinctive visual language of enigmatic spaces and philosophical inquiry.