Monument to Bianca Bazzoni by Alberto Bazzoni, 1931–32
A funerary monument carved by sculptor Alberto Bazzoni for his wife Bianca, installed in Milan’s Cimitero Monumentale. The work exemplifies Bazzoni’s study of Roman sculptural form.
A funerary monument carved by sculptor Alberto Bazzoni for his wife Bianca, installed in Milan’s Cimitero Monumentale. The work exemplifies Bazzoni’s study of Roman sculptural form.
A magazine cover illustrated by Mario Sironi in 1925. The work exemplifies the Italian Modernist artist’s characteristic style of massive, somber forms.
A magazine cover illustrated by Italian Modernist artist Mario Sironi in 1943, exemplifying his characteristic approach to design during Italy’s interwar period.
San Giorgio is a 1943 painting by Milanese artist Cesare Breveglieri. The work reflects the artist’s engagement with modern European movements during Italy’s interwar period.
A mountain colony designed by engineer Vittorio Bonadè Bottino in 1937 for Fiat workers in the Turin Alps, now operating as Hotel La Torre.
A mountain refuge designed by Italian architect Giovanni Tiella and completed in 1940 on Mount Pasubio in the Trentino region. Built to serve hikers and alpinists accessing the peak.
Pane acqua is a 1934 painting by Guido Marussig, the Trieste-born Italian painter who moved between Symbolism and Novecento Italiano.
The Pompei Scavi–Villa dei Misteri railway station was designed by architect and engineer Marcello Canino in 1932. Built to serve visitors to the archaeological site, it exemplifies Rationalist design principles of its era.
San Martino is a 1932 painting by Italian artist Cesare Breveglieri. The work was acquired by the Cariplo Foundation following the Sarfatti Fellowship of that year.
A portrait by Italian painter Corrado Cagli, created in 1936 and now held in the Vatican Museums. The work documents a figure from the Scuola Romana period.