Still Life by Giorgio Morandi, 1943
A still-life painting by Italian master Giorgio Morandi from 1943, exemplifying his distinctive approach to ceramic vessels and muted tonality.
A still-life painting by Italian master Giorgio Morandi from 1943, exemplifying his distinctive approach to ceramic vessels and muted tonality.
A Rationalist-era technical school in Venice designed by engineers Cicogna and Eugenio Miozzi. Built 1929–31 to house commercial and maritime instruction.
Ritorno alla fonte is a 1930 painting by Italian artist Alberto Salietti, born in Ravenna in 1892. Salietti was a painter trained at the Accademia di Brera who exhibited internationally throughout the twentieth century.
Il Sile alla Fiera is a 1939 painting by Nino Springolo, the Treviso-born Italian painter. The work captures a scene of the Sile river at a fair.
Lampi is a work by Pippo Rizzo, the Sicilian painter and sculptor who led the Futurist movement in Sicily. Created in 1926, it exemplifies his early engagement with Futurism.
A still life painted by Italian landscape master Arturo Tosi during the 1930s. The work exemplifies the artist’s engagement with Novecento Italiano aesthetics.
An entrance detail from the Città Universitaria designed by architect Arnaldo Foschini in 1935 for Rome’s La Sapienza University. The complex represents a major institutional commission of interwar Italian architecture.
Arnaldo Foschini’s 1935 Institute of Hygiene and Bacteriology stands within Rome’s Città Universitaria as part of La Sapienza University’s expanded campus.
Arnaldo Foschini designed the Orthopaedic Clinic building for Rome’s Città Universitaria in 1935. The structure remains part of La Sapienza University’s architectural heritage.
An edicola, or small funerary chapel, designed by Enrico Agostino Griffini for the Porcile family at Milan’s Cimitero Monumentale in 1934. A work of Italian Rationalism within one of Europe’s most significant monumental cemeteries.