Family Portrait by Leonardo Castellani, 1925
A family portrait painted by Italian artist Leonardo Castellani in 1925. Castellani was a multi-disciplinary artist working in etching, watercolour, drawing and writing.
Photographer & Researcher
Stefano Vigolo
Stefano Vigolo photographs and documents Italian architecture of the interwar decades — the years known in Italy as the Ventennio — from Rationalism and Art Déco to the buildings that fall between the guidebooks. He is a researcher of the period.
Contributions: 1,023 articles · 152 heritage places · 713 events · 12 itineraries · 460 photographs
2,828 articles on the Italian archive
Published on beniculturalionline.it, the Italian archive of this publication, online since 1998. They are being brought into Cultural Heritage Online.
- Stazione di servizio A.G.I.P. (u00a0 Azienda Generale Italiana Petroli ) oggi Stazione di servizio Tamoil - Asmara , Eritrea
- La torre e il treno - Giorgio De Chirico - 1934 ( Stefano Vigolo )
- Villino oggi Sede dell' Ambasciata Etiope in Eritrea - Asmara , Eritrea - Arch. Pietro Del Fabro - 1938
- Fontana di Ghezzabanda oggi Fontana Mai Jah Jah - Asmara , Eritrea - Arch. Lorenzo Azzolini - 1939
- Palazzo Manifatturau00a0Tabacchi oggi Palazzo British e American Tobacco Eritrea - Asmara , Eritrea. 1938
- Edificio abitazione , Quartiere Alfa Romeo - Asmara , Eritrea
- Particolare Bar all'interno del Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Fabbrica Alfa Romeo - Asmara , Eritrea - 1937
- Cinema Odeon - Asmara , Eritrea - Arch. Giuseppe Zacche e Giuseppe Borziani - 1937
- Edificio abitazione e negozi - Asmara , Eritrea
- Caserma della M.V.S.N ( Milizia Volontaria Sicurezza Nazionale ) oggi Palazzo della Banca d'Eritrea - Asmara , Eritrea
- Cinema Augustus oggi Cinema Capitol - Asmara , Eritrea - Arch. R. Saviele - 1938
Marina by Carlo Carrà , 1940
Marina is a 1940 painting by Carlo Carrà , the Italian Futurist painter and theorist. Created in the later phase of Carrà ’s career, the work reflects his continued engagement with modernist practice.
Large Relief Panel, Palazzo dell’Informazione, Milan
A monumental bas-relief by Carlo Sacchi and Mario Sironi adorns the Palazzo dell’Informazione in Milan’s Piazza Cavour, completed between 1938 and 1942.
Crepuscolo by Ottone Rosai, 1940
Crepuscolo is a 1940 painting by Florentine artist Ottone Rosai, a key figure in Italian Novecento modernism and early Futurism.
Vase and Flowers Against Drapery by Roberto Melli
A still life composition painted by Italian artist Roberto Melli in 1942, during the Scuola Romana period. The work exemplifies Melli’s engagement with form and arrangement characteristic of his artistic practice.
Still Life with Vase by Renato Paresce, 1930
A still life painting by Swiss-Italian artist Renato Paresce from 1930, exemplifying the Novecento Italiano movement of interwar Italy.
La cava sotto il monte by Renato Birolli, 1941
A painting by Italian artist Renato Birolli, created in 1941 during the interwar period. The work captures a quarry beneath a mountain in oil on canvas.
Piazzale alberato by Antonio Donghi, 1925
Antonio Donghi’s 1925 painting Piazzale alberato depicts a tree-lined public square in the neoclassical style. The work exemplifies the Italian painter’s refined technique and spatial clarity.
Landscape of Alassio by Carlo Levi, 1933
A landscape painting of the Ligurian coastal town of Alassio by Carlo Levi, the Italian painter, writer and political activist, completed in 1933.
Ritorno dalle Colonie Marine by Marisa Mori, 1934
A 1934 painting by Marisa Mori depicting a return from seaside colonies. Mori was an Italian painter and scenographer active in the Futurism movement.